Interpreting the New York Mayor's Sartorial Statement: What His Suit Tells Us Regarding Modern Manhood and a Changing Society.
Growing up in London during the noughties, I was constantly surrounded by suits. They adorned businessmen hurrying through the financial district. You could spot them on fathers in Hyde Park, kicking footballs in the golden light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has served as a uniform of gravitas, projecting authority and performance—traits I was told to embrace to become a "man". Yet, before lately, my generation appeared to wear them less and less, and they had largely disappeared from my mind.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an ingenious campaign, he captured the world's imagination unlike any recent contender for city hall. But whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing was mostly unchanged: he was almost always in a suit. Relaxed in fit, modern with unstructured lines, yet traditional, his is a quintessentially professional millennial suit—well, as typical as it can be for a cohort that seldom bothers to wear one.
"The suit is in this weird place," notes men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the rise of business casual."
"It's basically only worn in the strictest settings: weddings, funerals, to some extent, legal proceedings," Guy explains. "It is like the kimono in Japan," in that it "fundamentally represents a tradition that has long retreated from daily life." Many politicians "don this attire to say: 'I am a politician, you can trust me. You should vote for me. I have legitimacy.'" Although the suit has traditionally conveyed this, today it enacts authority in the hope of winning public confidence. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of performance, in that it performs masculinity, authority and even closeness to power.
This analysis resonated deeply. On the infrequent times I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Japanese department store several years ago. When I first picked it up, it made me feel refined and expensive, but its slim cut now feels outdated. I suspect this feeling will be all too familiar for numerous people in the diaspora whose parents come from somewhere else, especially developing countries.
It's no surprise, the everyday suit has lost fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a particular cut can therefore characterize an era—and feel rapidly outdated. Take now: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something destined to fall out of fashion within five years. But the appeal, at least in some quarters, persists: in the past year, major retailers report tailoring sales increasing more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something special."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from Suitsupply, a European label that retails in a mid-market price bracket. "Mamdani is very much a product of his upbringing," says Guy. "A relatively young person, he's neither poor nor exceptionally wealthy." To that end, his mid-level suit will appeal to the demographic most likely to support him: people in their thirties and forties, college graduates earning middle-class incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits arguably align with his stated policies—such as a rent freeze, building affordable homes, and free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that property development world. A status symbol fits naturally with that elite, just as more accessible brands fit well with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "controversial" beige attire to other world leaders and their suspiciously impeccable, custom-fit sheen. Like a certain UK leader discovered, the suit doesn't just dress the politician; it has the power to define them.
The Act of Banality and A Shield
Maybe the key is what one scholar calls the "performance of ordinariness", summoning the suit's long career as a standard attire of political power. Mamdani's particular choice taps into a studied modesty, not too casual nor too flashy—"conforming to norms" in an inconspicuous suit—to help him connect with as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; historians have long pointed out that its contemporary origins lie in military or colonial administration." It is also seen as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, particularly to those who might question it.
This kind of sartorial "changing styles" is hardly a recent phenomenon. Indeed iconic figures previously wore formal Western attire during their early years. These days, other world leaders have begun swapping their typical fatigues for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the struggle between insider and outsider is apparent."
The attire Mamdani chooses is deeply symbolic. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters expect as a sign of leadership," says one author, while at the same time needing to navigate carefully by "not looking like an establishment figure selling out his non-mainstream roots and values."
Yet there is an sharp awareness of the different rules applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a millennial, able to adopt different personas to fit the situation, but it may also be part of his diverse background, where code-switching between cultures, traditions and attire is typical," it is said. "White males can go unremarked," but when others "attempt to gain the authority that suits represent," they must carefully negotiate the expectations associated with them.
In every seam of Mamdani's public persona, the dynamic between belonging and displacement, inclusion and exclusion, is evident. I know well the discomfort of trying to conform to something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in public life, appearance is never without meaning.